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Date : 2009-10-31

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Saul Leiter Early Black and White Saul Leiter Martin  ~ The distinctive iconography of Saul Leiters early blackandwhite photographs stems from his profound response to the dynamic street life of New York City in the late 1940s and 50s While this technique borrowed aspects of the photodocumentary Leiters imagery was more shaped by his highly individual reactions to the people and places he encountered
Early Black and White  Saul Leiter  Steidl Verlag ~ The distinctive iconography of Saul Leiter’s early black and white photographs stems from his profound response to the dynamic street life of New York City in the late 1940s and 50s While this technique borrowed aspects of the photodocumentary Leiter’s imagery was more shaped by his highly individual reactions to the people and places he encountered
Saul Leiter Early Black and White  MONOVISIONS ~ Saul Leiter Early Black and White The distinctive iconography of Saul Leiter’s early blackandwhite photographs stems from his profound response to the dynamic street life of New York City in the late 1940s and ’50s
Saul Leiter 195060s color and blackandwhite  ~ Saul Leiter started shooting color and blackandwhite street photography in New York in the 1940s He had no formal training in photography but the genius of his early work was quickly acknowledged by Edward Steichen who included Leiter in two important MoMA shows in the 1950s
Saul Leiter in Black and White  The New Yorker ~ “But Saul is a painter when he uses color and he’s something entirely else when he uses black and white It has a psychological element it has an emotional element It’s very intimate it 
Saul Leiter’s BlackandWhite World  The New York Times ~ Though he was famed for his color photography Saul Leiter’s earliest work was in blackandwhite and just as personal and powerful as his later images
Saul Leiter  Artists  Howard Greenberg Gallery ~ Leiters earliest black and white photographs show an extraordinary affinity for the medium By the 1950s he began to work in color as well compiling an extensive and significant body of work during the medium’s infancy His distinctively subdued color often has a painterly quality that stood out among the work of his contemporaries